Valgfritt fordypningskurs (6 sp)

Kurset omhandler interaksjonen mellom ny teknologi og avansert formgiving. Kjente formgivere og teknologer som jobber med avansert produksjonsverktøy vil delta i forskjellige workshops. Sluttresultatet skal være fysiske produkter.

Etter endt kurs skal studentene ha innsikt i nye teknologiske trender, som bl.a. danner basis for avanserte formgiving. Kurset skal legge grunnlaget for dette paradigmeskiftet innenfor produksjonsteknologi som fører til helt nye formgivingsmuligheter.

Kurset bygges opp av workshops og forelesninger med interne lærere og inviterte profilerte formgivere/teknologer. Research vil foregå både individuelt og i grupper. Kurset skal ende opp i et fysisk produkt.

• Det vil være 4 obligatoriske innleveringer i løpet av semesteret
• De to hovedworkshopene har krav om minst 80% tilstedeværelse
• Det vil være to eksterne sensorer som vurderer det innleverte arbeidet

Semesteret har 80% generell oppmøteplikt og 90% tilstedeværelse på forelesninger, gjennomganger og workshops.

Kurset bedømmes til BestÃ¥tt - Ikke bestÃ¥tt,  jf. Forskift for masterstudiene ved AHO § 6-14.

Obligatorisk pensum:

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Burke, J., & Ornstein, R. E. (1997). The axemaker's gift: technology's capture and control of our minds and culture. New York: Putnam.

Dunbar, R. (1996). Grooming, gossip and the evolution of language. London: Faber.

Eissen, K., & Steur, R. (2007). Sketching: drawing techniques for product designers. Amsterdam: BIS Publishers.

Hall, E. T. (1977). Beyond culture. Garden City, New York: Anchor Press.

Hopkinson, N., Hague, R. J. M., & Dickens, P. M. (2006). Rapid manufacturing: an industrial revolution for the digital age. Chichester: Wiley.

Killi, S. (2007). "Custom design: more than custom to fit!" I: Virtual and rapid manufacturing: advanced research in virtual and rapid prototyping : proceedings of the 3rd International Conference on Advanced Research in Virtual and Rapid Prototyping, Leiria, Portugal, 24-29 September, 2007 (s. 777-783). London: Taylor & Francis.

Killi, S. (2010). "Form follows algorithm: computer derived design for rapid manufacturing". I: Innovative developments in design and manufacturing: advanced research in virtual and rapid prototyping : proceedings of the 4th International Conference on Advanced Research and Rapid Prototyping, Leiria, Portugal, 6-10 October 2009 (s. 575-580). Leiden: CRC Press.

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Kristiansen, I.M. (2008). "Consious use of product representation techniques". s. 1-16.

Mausbach, A. G. (2009). Paradigm Shift: entering a new age of automobile aesthetics. Vehicle design special session/EV1-a: Ecological road vehicles/Passenger car. Monaco: 10.

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Norman, D. A. (1990). The design of everyday things. New York: Doubleday/Currency.

Norman, D. A. (2004). Emotional design: why we love (or hate) everyday things. N.Y.: Basic Books.

Petroski, H. (1994). Design paradigms: case histories of error and judgment in engineering. Cambridge: Cambridge University Press.

Petroski, H. (1994). The evolution of useful things. New York: Vintage Books.

Petroski, H. (2003). Small things considered: why there is no perfect design. New York: Alfred A. Knopf.

Petroski, H. (2006). Success through failure: the paradox of design. Princeton, N.J.: Princeton University Press.

Postman, N. (1986). Amusing ourselves to death: public discourse in the age of show business. London: Heinemann.

Robertson, S. (Writer). How to render matte surfaces. Hollywood, CA: Gnomon Workshop.

Robertson, S. Basic perspective form drawing. Hollywood, CA: Gnomon Workshop.

Sennett, R. (2008). The craftsman. New Haven, Conn.: Yale University Press.

Uddin, M. S. (1997). Axonometric and oblique drawing: a 3-D construction, rendering, and design guide. New York: McGraw-Hill.

Wake, W. K. (2000). Design paradigms: a sourcebook for creative visualization. New York: Wiley.