Related courses
Studio course (24 ECTS)
Course description
The Production and Representation of Architectural Space in Film:
- The Production and Representation of Architectural Space and/or Architectural Body in Film have since its beginning influenced Architectural Practice and its Spatial Discussion.
- New production- and representation-technologies further inspire and stress the understanding and development of architectural space and are used to bring forward new spatial arguments.
The Phenomenological Discussion on Architectural Space, its Nature and the Production of it:
- The first elective course, “Architecture and Film”, will set its focus on “Morphology of Body and Space”. The aim is to further understand, influence, and develop the architectural space on its own characteristics, beyond the notion of the architectural object.
Learning outcomes
Advanced design based on a current, critical architectural discourse. Individual process preparation / adaptation. Architectonic programming. Exercise in video and 3D tools.
Contents and teaching methods
The course starts with a brief historical, theoretical and philosophical discussion on film in general, and on kinetic representation of architectural space in particular.
Students will be introduced to the field of investigation through lectures, literature and a series of films and video-art. Workshops organized in collaboration with artists and film-directors, will exercise the students’ skills in the use of film/video-making tools and seek to strengthen their awareness for film as a media with the potential to influence, understand, and further develop architectural space.
The final exercise will search to produce kinetic architectural space (or spatial narratives) through a free interpretation of eight sound-pieces composed by the Norwegian jazz-musician Nils Petter Molvær. The results will be published on a music/film-dvd in late 2007.
Exams and assessment methods
Study-progression, final outcome examined by an external critic.
2D, 3D, text, photo/video/film, tool shop, testing hall.
The work will be used for publications.
The course is assessed to a Pass - Fail grade scale
Literature
Architecture/space – body & space – figure & ground - interstitial
Bernard Tschumi:Architecture and Disjunction
Bernard Tschumi:The Manhattan Transcripts
Bernard Tschumi:Questions of Space: Lectures on Architecture
Bernard Tschumi:event-cities / event-cities 2 / event-cities 3
Bernard Tschumi:Architecture in/of Motion
Sanford Kwinter:Architectures of Time
Peter Eisenman:Eisenman Inside Out
Peter Eisenman:Investigations in Architecture
Cynthia Davidson:Anymore
Cynthia Davidson: Anything
Cynthia Davidson: Anyhow
Architecture; others
Hubert-Jan Henket / Hilde Heynen:Back from Utopia; The Challenge of the Modern Movement
Michael Hays: Architectural Theory since 1968
Kenneth Frampton:Modern Architecture – A Critical History
Kenneth Frampton:Studies in Tectonic Culture – The Poetics of Construction
Keneth Frampton: Labour, Work and Architecture
Pamela M. Lee: Object to be destroyed; The work of Gordon Matta-Clark
Peter Lang / William Menking:Superstudio; life without objects
Image/cinema/video/space
Jacques Aumont / Claire Pajackowska: The Image
Bill Viola: Reasons for knocking at an empty house
Roland Barthes:I mage Music Text
Jacques Derrida: The truth in painting
Film/Cinema – history/theory
Richard Taylor: The Eisenstein Reader
Elie Faure: The art of cineplastics 1923! Ikke tilgjengelig
Andrey Tarkovsky: Sculpting in time; reflections on the cinema
Cinema & Architecture
Francois Penz & Maureen Thomas:Cinema & Architecture ikke tilgjengelig
Maggie Toy:Architecture and Film
Dietrich Neumann: Film Architecture; Set designs from Metropolis to Blade Runner
Architecture and animation
Bob Fear: Architecture + Animation
Philosophy
Miguel de Beistegui:The new Heidegger
Gilles Deleuze:Francis Bacon; the logic of sensation
Gilles Deleuze / Félix Guattari:A thousand plateaus
Updated 31/08/2007
|